what family does the double bass belong to

Class of wooden bowed stringed instruments

The violin family of musical instruments was developed in Italian republic in the 16th century.[1] At the time the proper name of this family unit of instruments was viole da braccio which was used to distinguish them from the viol family (viole da gamba).[two] The standard modernistic violin family unit consists of the violin, viola, cello, and (possibly) double bass.[iii] [4] [v]

Instrument names in the violin family unit are all derived from the root viola, which is a derivative of the Medieval Latin word vitula (significant "stringed instrument").[half-dozen] A violin is a "little viola", a violone is a "big viola" or a bass violin, and a violoncello (often abbreviated cello) is a "small violone" (or literally, a "pocket-sized big viola"). (The violone is not part of the modern violin family; its place is taken by the mod double bass, an instrument with a mix of violin and viol characteristics.)

Violin VL100.jpg Bratsche.jpg Cello front side.jpg AGK bass1 full.jpg
Violin Viola Cello Double bass

Background [edit]

Violin, viola, and cello bow frogs (peak to lesser)

The instruments of the violin family may be descended in office from the lira da braccio and the medieval Byzantine lira.[7]

While the cello (which adult from the bass violin), the viola and the violin are indisputable members of the ancestral violin or viola da braccio family unit, the double bass's origins are sometimes called into question. The double bass is sometimes taken to be part of the viol family, due to its sloping shoulders, its tuning, the practise of some basses beingness made with more four strings and its sometimes flat back. Others point out that correlation does not imply causation and say that these external similarities are either arbitrary or that they arose from causes other than a relationship to the viol family. They bespeak to the internal construction of the double bass, which includes a sound postal service and bass bar like other violin family instruments as a more weighty slice of evidence than the external features. Its origins aside, information technology has historically been used as the everyman member of the violin family unit.

All string instruments share similar course, parts, construction and role, and the viols bear a particularly close resemblance to the violin family. All the same, instruments in the violin family are set apart from viols by similarities in shape, tuning practice and history. Violin family instruments accept four strings each, are tuned in fifths (except the double bass, which is tuned in fourths), are non fretted and have four rounded bouts while always having a sound post and bass bar inside. In dissimilarity, the viol family unit instruments commonly have five to six strings with a fretted fingerboard, are tuned in fourths and thirds, ofttimes have sloping shoulders, and do not necessarily have a audio mail or bass bar.

Characteristics [edit]

The playing ranges of the instruments in the violin family overlap each other, but the tone quality and physical size of each distinguishes them from 1 some other. The ranges are as follows: violin: G3 to East7; viola: C3 to A6 (conservative); violoncello: C2 to Av (bourgeois); and double-bass: Due eastone to C5 (slightly expanded from bourgeois estimate). The double bass is frequently equipped with a mechanical extension or a 5th string that increases its lower range to either C1 or B0, respectively.

Both the violin and viola are played under the jaw. The viola, beingness the larger of the two instruments, has a playing range that reaches a perfect fifth below the violin's. The cello is played sitting downwards with the instrument between the knees, and its playing range reaches an octave beneath the viola's. The double bass is played standing or sitting on a stool, with a range that typically reaches a small-scale sixth, an octave or a ninth below the cello's.

The elevation of the instrument, crafted from bandbox, is thinner at the edges than the center. Similarly of a variable thickness, the back is most commonly crafted from maple (poplar and willow were used for some baroque instruments). The neck, span and ribs are maple, while the nut is frequently ebony.[viii]

Uses [edit]

The instruments of the violin family are the most used bowed string instruments in the world today. Although all share a identify in classical music, they are also used to a lesser degree in jazz, electronic music, rock, and other types of popular music, where they are often amplified, or simply created to be used as electric instruments. The violin is also used extensively in dabble music, country music, and folk music. The double bass plays an indispensable role in both classical and jazz music forms.

One of the nearly popular and standardized groupings in classical chamber music, the string quartet, is equanimous entirely of instruments from the violin family: two violins, one viola and ane cello. This similarity in the manner of audio production allows string quartets to blend their tone color and timbre more easily than less homogeneous groups. This is particularly notable in comparison to the standard wind quintet, which, although composed entirely of wind instruments, includes 4 fundamentally different ways of producing musical pitch.

Octobass [edit]

The octobass, a larger version of the double bass, is a rarely used member of this family unit synthetic in the 19th century. It is extremely unwieldy to play and thus has not found much acceptance; however, it can be institute in some Romantic-era scores and is called for occasionally in modern works. The octobass is played standing and its range typically reaches an octave beneath the double bass.

See besides [edit]

  • Violin octet, an experiment in part to create an even more homogeneous blend of instruments related to the violin.
  • Kit violin
  • Tenor violin
  • String musical instrument
  • String orchestra
  • List of string instruments
  • Viol

Notes [edit]

  1. ^ Witten 1982
  2. ^ Viola da braccio literally ways "viol [played or held] on the arm". Not all members of the family were or are held confronting the chest or between chin and shoulder, only that some were was enough to distinguish them from the violas da gamba, literally "viol [played or held] on the leg", which, except for the biggest ones, were held between the knees or resting in the lap, and, near significantly, none of which were played a braccio
  3. ^ Hoffman 1997
  4. ^ Some sources practice non include the double-bass in the violin family
  5. ^ Until the end of the 17th century the violin family unit also included the tenor violin tuned a fifth in a higher place the cello; until the 18th century there was as well the violino piccolo tuned ane fourth above the violin; besides the Syntagma Musicum of Michael Praetorius shows two types of three string treble violins tuned 1 octave above the violin called in that work "kleine Poschen" and which seem to be very like to the later Kit violins or pochettes: meet Syntagma Musicum, vol. 2, page XXI
  6. ^ Harper 2001.
  7. ^ Grillet 1901, p. 29
  8. ^ Bucur, Voichita (2016). Handbook of Materials for String Musical Instruments. Springer. pp. 43–45. ISBN978-3319320809 . Retrieved 3 August 2019.

References [edit]

  • Grillet, Laurent (1901). Les ancêtres du violon et du violoncelle. Vol. one. Paris.
  • Harper, Douglas. "Viola". Online Etymology Dictionary . Retrieved September 26, 2006.
  • Hoffman, Miles (1997). The NPR Classical Music Companion. New York: Houghton Mifflin Visitor. ISBN0-395-70742-0.
  • Regazzi, Roberto, ed. (1990). The Complete Luthier's Library. A Useful International Critical Bibliography for the Maker and the Connoisseur of Stringed and Plucked Instruments. Foreword past Charles Beare; revision of the English text by Jane Helen Johnson. Bologna: Florenus Company. ISBN88-85250-01-vii.
  • Witten, Laurence C., Ii (Oct 1982). "The Surviving Instruments of Andrea Amati". Early on Music. x (four): 487–494. doi:ten.1093/earlyj/10.iv.487.

External links [edit]

  • Andrea Amati violin, Cremona, ca. 1560 at The Metropolitan Museum of Fine art
  • Violin makers: Nicolò Amati and Antonio Stradivari on the Heilbrunn Timeline of Art History, The Metropolitan Museum of Violin

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Source: https://en.wikipedia.org/wiki/Violin_family

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